Music Video
Zadok the Priest — George Fredric Handel Lyrics
Soundtrack: Saltburn
Zadok the Priest Song Lyrics
Zadok the priest
And Nathan the prophet
Anointed Solomon king
And all the people
Rejoiced, rejoiced, rejoiced
And all the people
Rejoiced, rejoiced, rejoiced
Rejoiced, rejoiced, rejoiced
And all the people
Rejoiced, rejoiced, rejoiced and said
God save the king
Long live the king
God save the king
May the king live forever
Amen, amen, alleluia, alleluia, amen, amen
Amen, amen, alleluia, amen
God save the king
Long live the king
May the king live forever
Amen, amen, alleluia, alleluia, amen, amen
May the king live
May the king live
For ever, for ever, for ever,
Amen, amen, alleluia, alleluia, amen, amen
Alleluia, alleluia, amen, amen, amen
Amen, amen, alleluia, alleluia, alleluia, amen
Long live the king
God save the king
Long live the king
May the king live
May the king live
For ever, for ever, for ever,
Amen, amen, alleluia, alleluia, amen, amen
Alleluia, alleluia, amen, amen, amen
Amen, amen, alleluia, alleluia, alleluia, amen
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›Zadok the Priest
George Fredric Handel
February, 05th 2024
"Zadok the Priest," composed by George Frideric Handel for King George II's corronation in 1727, stands as an enduring masterpiece of choral music, seamlessly intertwining religious and monarchical traditions. This anthem, part of a larger set of four coronation anthems by Handel, is remarkable for its musical and textual alignment with the coronation ritual.
The anthem's lyrics, drawn from the biblical narative of Solomon's anointing by Zadok the Priest and Nathan the Prophet, symbolically link the Old Testament event to the coronation of the British monarch. This connection is not merely narrative but serves to imbue the coronation with a sense of divine ordination and historical gravitas. Handel's choice to set these particular verses to music reflects a deep understanding of the confluence of religion and monarchy.
The musical structure of "Zadok the Priest" is notable for its dramatic build-up, beginning with a subtle and suspenseful introduction that gradually blossoms into a powerful choral entry. The repetition of "rejoiced" with escalating intensity mirrors the collective elation and solemnity of a coronation event, effectively capturing the public's emotional and ceremonial involvement.
Moreover, the anthem's chorus – "God save the King, Long live the King, May the king live forever" – is not only a declaration of loyalty but also a testament to the perceived eternal nature of the monarchy. The interspersed "Amen, Alleluia" harks back to traditional liturgical music, further underscoring the sacred aspect of kingship.
In essence, Handel's "Zadok the Priest" is a sophisticated amalgamation of historical narrative, religious symbolism, and musical grandeur. It has transcended its initial purpose, becoming a staple in the repertoire of choral works and a cultural emblem of royal ceremonies, showcasing Handel's unparalleled ability to craft music that resonates across centuries.
The anthem's lyrics, drawn from the biblical narative of Solomon's anointing by Zadok the Priest and Nathan the Prophet, symbolically link the Old Testament event to the coronation of the British monarch. This connection is not merely narrative but serves to imbue the coronation with a sense of divine ordination and historical gravitas. Handel's choice to set these particular verses to music reflects a deep understanding of the confluence of religion and monarchy.
The musical structure of "Zadok the Priest" is notable for its dramatic build-up, beginning with a subtle and suspenseful introduction that gradually blossoms into a powerful choral entry. The repetition of "rejoiced" with escalating intensity mirrors the collective elation and solemnity of a coronation event, effectively capturing the public's emotional and ceremonial involvement.
Moreover, the anthem's chorus – "God save the King, Long live the King, May the king live forever" – is not only a declaration of loyalty but also a testament to the perceived eternal nature of the monarchy. The interspersed "Amen, Alleluia" harks back to traditional liturgical music, further underscoring the sacred aspect of kingship.
In essence, Handel's "Zadok the Priest" is a sophisticated amalgamation of historical narrative, religious symbolism, and musical grandeur. It has transcended its initial purpose, becoming a staple in the repertoire of choral works and a cultural emblem of royal ceremonies, showcasing Handel's unparalleled ability to craft music that resonates across centuries.
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