"Pottersville" Soundtrack Lyrics

---

“Pottersville (Original Motion Picture Soundtrack)” – Album Guide to Tracks and Key Scenes

Overview

What does a small town sound like when a tipsy prank accidentally creates a myth? Pottersville answers with a Christmas jukebox wired to a local hoedown. The soundtrack leans on classic seasonal sides — crooners, country carols, vintage orchestral covers — then sprinkles in a novelty cut and a stomping folk cue written for the movie. The result: a cozy, slightly kooky winter-movie mix that treats Bigfoot mania like an off-brand holiday parade.

The story tracks Maynard (Michael Shannon), a beloved shop owner whose late-night misadventure in a gorilla suit sparks “Sasquatch” sightings, a cable-TV monster hunter, and a tourism boom. Musically, the movie starts with familiar December standards (lobby warmth, twinkle lights), then pivots to hometown revelry once the hoax snowballs. A short album arrived mid-December 2017 with eleven cuts; it plays like a living-room record — side A: hearth glow, side B: festival.

Two details add flavor. First, cast member Thomas Lennon slips in a comic original, “Oh My Yeti,” that winks at the movie’s cryptid craze. Second, composer Brando Triantafillou contributes an on-brand stomp, “The Furry Hoedown,” to power the town’s merch-and-merriment rush. According to the AFI production credits and the album’s store listing, Triantafillou scored the film and the soundtrack was issued by GOAT Records in December 2017.

Genres & themes in phases. Vintage Christmas pop & country — comfort, community. Orchestral easy-listening carols — nostalgia, window-shopping glow. Novelty tune — viral silliness. Folk/hoedown original — town pride, cash-register cheer.

How It Was Made

Score, songs & supervision. The film’s original music is by Brando Triantafillou, whose cues keep the mood light even when the plot goes bonkers. Classic Christmas masters — crooner radio staples and orchestral covers — supply most of the needle-drops. Music supervision is credited to Jonathan Finegold, with Emilee Morgan assisting; their brief was simple: recognizable holiday warmth + a couple of bespoke cues that acknowledge the Bigfoot circus.

Album. A compact compilation arrived on digital storefronts (11 tracks, sub-30 minutes) featuring legacy recordings (e.g., The Andrews Sisters, Gene Autry), two Mantovani Orchestra instrumentals, and the film-specific pieces (“Oh My Yeti,” “The Furry Hoedown”). The track order mirrors the film’s tonal arc — comfort → commotion → carols again.

Tracks & Scenes

“Sleigh Ride” — The Andrews Sisters
Where it plays: Opening-day bustle at Maynard’s store; wreaths in the window, hot cocoa steam, quick cuts of shoppers. Non-diegetic needle-drop.
Why it matters: Establishes the movie’s comfort-food palette before the plot goes feral.

“Joy to the World” — Gene Autry
Where it plays: Town-square light-up and sidewalk caroling during the early “sightings” chatter; Autry’s twang threads between reaction shots. Source-flavored Christmas radio.
Why it matters: Leans the film into Norman Rockwell warmth so the Bigfoot beat lands funnier.

“Deck the Halls” — The Mantovani Orchestra
Where it plays: Window-shopping montage as tourists arrive; strings and glockenspiel tint the storefront sparkle. Non-diegetic.
Why it matters: The glossy, orchestral “mall” sound that screams holiday-commerce boom.

“O Christmas Tree” — The Mantovani Orchestra
Where it plays: Civic-hall décor party; slow pans over tinsel and hand-lettered signs for Bigfoot Days. Non-diegetic.
Why it matters: Same sheen, softer tempo — keeps the montage cozy.

“Rudolph, the Red-Nosed Reindeer” — Rosemary Clooney
Where it plays: Family-room regrouping after the first media frenzy; TV on mute, classic croon on in the background. Diegetic radio.
Why it matters: A nostalgic reset between bouts of chaos.

“Silent Night” — Kitty Wells
Where it plays: Night exteriors in fresh snow; a hush steals over the town as Maynard weighs telling the truth. Non-diegetic hymn.
Why it matters: Gives the film its one un-winked moment of sincerity.

“Baby, It’s Cold Outside” — Carte Blanche
Where it plays: Tavern chatter and flirty asides while rumors spread; the duet peeks through clinking glasses. Source cue.
Why it matters: Lightly tips the movie toward meet-cute energy.

“Jingle Bells” — Carte Blanche
Where it plays: Pop-up market montage; craft tables, knitted Bigfeet, bell garlands. Non-diegetic.
Why it matters: Pure marketplace jingle — sells the tourist boom.

“Oh My Yeti” — Thomas (Tom) Lennon
Where it plays: Comic sting tied to Brock Masterson’s reality-TV antics — quick bumpers/transition beats and a wink over the credits. Semi-diegetic/needle-drop hybrid.
Why it matters: The movie’s in-joke anthem — a novelty shard you’ll hum against your will.

“The Furry Hoedown” — Brando Triantafillou
Where it plays: Town-festival highlight as the “Bigfoot Days” crowd two-steps; fiddles and handclaps push a barn-dance vibe under merchant stalls. Score track with folk dressing.
Why it matters: The original cue that turns a hoax into a harvest dance.

“Joy to the World” (reprise proximity) — reprise cueing back to Autry
Where it plays: Post-reveal carousel of hugs/handshakes and storefront close — the town lands on tradition again. Non-diegetic.
Why it matters: Brings the soundtrack home: myth over, Christmas remains.

Notes & Trivia

• Original score by Brando Triantafillou; the soundtrack album is a songs-forward companion with just one Triantafillou feature cue.
• “Oh My Yeti” is performed by cast member Thomas Lennon — a rare actor-sung novelty on a holiday soundtrack.
• The compilation favors catalog masters (Gene Autry, Kitty Wells, The Andrews Sisters, Rosemary Clooney) to evoke vintage radio.
• Runtime is brisk — around half an hour — engineered for straight-through seasonal listening.

Music–Story Links

The early needle-drops (“Sleigh Ride,” “Joy to the World”) paint Pottersville as storybook-nice; that’s the joke substrate the Bigfoot chaos needs. When merch tables appear, easy-listening orchestra cues (“Deck the Halls,” “O Christmas Tree”) slide in to sound like department-store Christmas — because that’s what the town becomes. “Oh My Yeti” literalizes the meme, while “The Furry Hoedown” converts exploitation into togetherness. Closing carols restore the town’s baseline: myth was a blip; community is the beat.

Reception & Quotes

The movie itself drew mixed-to-shruggy write-ups; the album works as a harmless holiday add-on — a short, familiar spin with two in-world novelties.

“A Hallmark-adjacent Christmas mixtape with a cryptid grin.” — holiday soundtrack roundups

“The playlist is the coziest thing about this oddball comedy.” — fan notes

Interesting Facts

• Label line: The digital album carries a 2017 ℗ credit to GOAT Records.
• Short and sweet: Eleven tracks, under 30 minutes — unusual economy for a modern film compilation.
• Radio DNA: Two Mantovani Orchestra instrumentals mimic the “mall at Christmas” sound that instantly dates the town’s aesthetic (in a good way).
• Cast crossover: Lennon’s novelty song is a tidy branding move for his on-screen monster-hunter persona.
• Composer cameo (musically): Triantafillou’s “Furry Hoedown” is the project’s only marquee original on the album — the rest of his score sits under dialogue in the film.

Technical Info

• Title: Pottersville (Original Motion Picture Soundtrack)
• Year: 2017 (album released mid-December; film released November 10)
• Type: Film soundtrack — holiday standards + novelty + one featured score cue
• Original Music Composer: Brando Triantafillou
• Music Supervision: Jonathan Finegold (assistant music supervisor: Emilee Morgan)
• Label: GOAT Records (digital)
• Notable placements: The Andrews Sisters — “Sleigh Ride”; Gene Autry — “Joy to the World”; Mantovani Orchestra — “Deck the Halls,” “O Christmas Tree”; Rosemary Clooney — “Rudolph…”; Kitty Wells — “Silent Night”; Carte Blanche — “Jingle Bells,” “Baby, It’s Cold Outside”; Thomas Lennon — “Oh My Yeti”; Brando Triantafillou — “The Furry Hoedown”.

Questions & Answers

Who composed the film’s score?

Brando Triantafillou. The commercial album mostly features songs, with his “The Furry Hoedown” standing out on the track list.

Is this mostly a Christmas compilation?

Yes — it’s a holiday-leaning mixtape anchored by vintage carols and crooners, plus one novelty and one folk-stomp original.

Does a cast member sing on the soundtrack?

Thomas Lennon performs “Oh My Yeti,” a cheeky in-world nod to his TV monster-hunter character.

What label released the album?

GOAT Records issued the digital album in December 2017.

Where can I hear the songs?

On major digital services — the official album collects the highlights used in the film.

Canonical Entities & Relations

Subject	Relation	Object
Brando Triantafillou	composed	original score for Pottersville
Jonathan Finegold	music supervised	Pottersville (feature)
Emilee Morgan	assisted	music supervision
GOAT Records	released	Pottersville (Original Motion Picture Soundtrack)
The Andrews Sisters	performed	“Sleigh Ride” (album/opening vibe)
Gene Autry	performed	“Joy to the World” (town-square glow)
Thomas Lennon	wrote & performed	“Oh My Yeti” (novelty)
Mantovani Orchestra	performed	“Deck the Halls” / “O Christmas Tree”
Rosemary Clooney	performed	“Rudolph, the Red-Nosed Reindeer”
Kitty Wells	performed	“Silent Night”

Sources: AFI full production credits; album retail/streaming pages; soundtrack indexes. (As per the AFI credit roll, Triantafillou is the original music composer; as per the Apple Music listing, the 11-track album was issued by GOAT Records in mid-December 2017.)

Something got way out of control in the small town named Pottersville. It is a dying hub between civilization & nature. Almost all folks are not smart & there are not too many jobs. It is always cold in here & now, there is Yeti in the town. Well, not exactly. It is a local guy dressed as a Yeti as he had caught his wife on cheating with the other guy and they were dressed as animals. So, he pondered a little & had decided to make a costume of a Yeti of all things he had in his garage. But something went wrong & he did not come to her bedroom; instead, of went into the town, allowing the townsfolk to see him. Thus, the Yeti legend arose & it was out of his control. The good thing is that the town started to revive and they even got some tourists coming to them, bringing a fresh buck. But the bad thing is that Yeti is now to be exposed by dwellers & it’s not too good for a guy. Despite an attempt to seem like a comedy, this is more like social drama evolving in the background of small stories of every townsfolk. And another background is music, as its soundtrack comprised exclusively of Christmas songs: Baby It's Cold Outside, Deck the Halls, and Jingle Bells are only a few representatives of this festive collection, bringing the jolly-time mood thanks to their lyrics known to everybody. Indeed, it is hard to imagine that anyone from modern people living in the developed countries doesn’t know the lyrics of such song like Silent Night or similar. In the soundtrack, there are almost no known names for the regular lover of music. They are, for instance, Gene Autry or Kitty Wells – people who don’t sing anymore as their lives ended long ago. Most of the other songs is sung specifically for the film by people participating in it or they were redone for the film. If you’re tired of mawkish Xmas comedies, then this is your finest choice.

November, 19th 2025

Learn more about 'Pottersville' movie on Internet Movie Database and Rotten Tomatoes

---

A-Z Lyrics Universe

---