Music Video
Deceptacon Lyrics – Le Tigre
Soundtrack Album: Little Wing
Deceptacon Text
[Intro]
Who took the bomp?
[Verse 1]
Every day and night
Every day and night
I can see yr disco, disco dick
Is sucking my heart out of my mind
I'm outta time, I'm outta f**kin' time
I'm a gasoline gut with a Vaseline mind, but
Wanna disco? Wanna see me disco?
Let me hear you depoliticize my rhyme
(One, two, three, four)
You got what you been asking for
Yr so policy free and yr fantasy wheels
And everything you think and everything you feel
Is alright, alright, alright, alright, alright
[Verse 2]
I take you home, now watch me get you hot
Yr just a parrot when yr screaming, and yr shouting
"More crackers, please! More crackers, please!"
You want what you want, but you don't wanna be on yr knees
Who does your, who does your hair?
[Chorus]
Who took the bomp from the bomp-a-lomp-a-lomp?
Who took the ram from the rama-lama-ding-dong?
Who took the bomp from the bomp-a-lomp-a-lomp?
Who took the ram from the rama-lama-ding-dong?
[Interlude: Unknown]
"How are you?"
"Fine, thank you"
"How are you?"
"Fine, thank you"
[Verse 3]
You bought a new van the first year of yr band
Yr cool, and I hardly wanna say "not"
Because I'm so bored
That I'd be entertained, even by a stupid f**kin'
Linoleum floor, linoleum floor
Yr lyrics are dumb like a linoleum floor
I'll walk on it, I'll walk all over you
Walk on it, walk on it, walkin', one, two
[Chorus]
(Who? Who? Who? Who?)
Who took the bomp from the bomp-a-lomp-a-lomp?
Who took the ram from the rama-lama-ding-dong?
Who took the bomp from the bomp-a-lomp-a-lomp?
Who took the ram from the rama-lama-ding-dong?
[Outro: Unknown]
"See you later"
"See you later"
"See you later"
"See you later"
[Intro]
Who took the bomp?
[Verse 1]
Every day and night
Every day and night
I can see yr disco, disco dick
Is sucking my heart out of my mind
I'm outta time, I'm outta f**kin' time
I'm a gasoline gut with a Vaseline mind, but
Wanna disco? Wanna see me disco?
Let me hear you depoliticize my rhyme
(One, two, three, four)
You got what you been asking for
Yr so policy free and yr fantasy wheels
And everything you think and everything you feel
Is alright, alright, alright, alright, alright
[Verse 2]
I take you home, now watch me get you hot
Yr just a parrot when yr screaming, and yr shouting
"More crackers, please! More crackers, please!"
You want what you want, but you don't wanna be on yr knees
Who does your, who does your hair?
[Chorus]
Who took the bomp from the bomp-a-lomp-a-lomp?
Who took the ram from the rama-lama-ding-dong?
Who took the bomp from the bomp-a-lomp-a-lomp?
Who took the ram from the rama-lama-ding-dong?
[Interlude: Unknown]
"How are you?"
"Fine, thank you"
"How are you?"
"Fine, thank you"
[Verse 3]
You bought a new van the first year of yr band
Yr cool, and I hardly wanna say "not"
Because I'm so bored
That I'd be entertained, even by a stupid f**kin'
Linoleum floor, linoleum floor
Yr lyrics are dumb like a linoleum floor
I'll walk on it, I'll walk all over you
Walk on it, walk on it, walkin', one, two
[Chorus]
(Who? Who? Who? Who?)
Who took the bomp from the bomp-a-lomp-a-lomp?
Who took the ram from the rama-lama-ding-dong?
Who took the bomp from the bomp-a-lomp-a-lomp?
Who took the ram from the rama-lama-ding-dong?
[Outro: Unknown]
"See you later"
"See you later"
"See you later"
"See you later"
Little Wing
Soundtrack Lyrics for Movie, 2024
Track Listing
›Monsoon
Object as Subject
›Rebel Girl
Bikini Kill
›Sоudain
Juniore
›Poison
Wargirl
›Spellbound
Siouxsie and The Banshees
›Keep On Livin'
Le Tigre
›Hunger
Object as Subject
›Smudge
yllwshrk
›Flesh
Object as Subject
›Animal
Juniore
›Cool Schmool
Bratmobile
›Johnny Says Stay Cool
Babe Rainbow
›Don't Crowd Me
Keith Kessler
›Deceptacon
Le Tigre
March, 22nd 2024
Song Facts:"In 1993, Bratmobile released 'Cool Schmool,' a track that became a hallmark in the feminist punk movement, also known as riot grrrl. The song is a testament to their activism, playing a crucial role within the riot grrrl community by highlighting anti-conformity and the empowerment of feminists.
Annotations and Meaning:
The song 'Cool Schmool' is a fierce critique on the societal norms surrounding the concept of being 'cool' and the superficial nature that often accompanies social circles. Its lyrics show a clear contempt for yearning for 'the good old days' and openly reject the pressures society places, especially on how women should look and act. The main character in the song places a higher value on authentic relationships rather than seeking approval by conforming to group norms.
By confronting conventional norms and gender expectations prevalent at the time, the song aligns with both feminist and punk ideals. 'Cool Schmool' serves as a medium for Bratmobile to express their discontent with the labels forced upon them, both individually and as female artists in the punk scene. The chorus "We're so cool, yeah, yeah / Yeah, we're so cool cool / We're so cool, yeah, yeah / f**k you too, cool schmool" embodies a bold rejection of the perceived necessity to comply with certain social norms in order to be considered 'cool.'
Desires of conforming to stereotypical roles such as being 'one of the guys' or a 'little fashion toy' are mocked in the song, pointing out the ridiculousness of such desires. It contrasts these with the longing to break away from these stereotypes, emphasizing the importance of knowing one's place without having to make an effort and celebrating personal preferences, like preferring cats over dogs or being able to "bake a pie and look you up and down."
Through 'Cool Schmool,' Bratmobile conveys a potent message about rebelling against superficial standards and carving one's unique path. The song underlines the core principles of the riot grrrl movement, promoting gender equality, challenging societal norms, and encouraging authenticity and self-expression over seeking acceptance.
The inclusion of the song in "Little Wing's" soundtrack highlights its thematic connection to the film, providing a backdrop of defiance and independence that mirrors the movie's storyline.
In essence, 'Cool Schmool' transcends being merely a musical piece; it represents a profound declaration. It encapsulates the essence of the early '90s feminist punk movement, stressing the significance of individuality, defiance against societal pressures, and the empowering of women. Bratmobile's message is clear: prioritize authenticity, resist conforming, and dismiss the idea of 'cool' if it means losing your true self.
Song Facts:Released in 1999, 'Deceptacon' by Le Tigre is a critical component of their debut self-titled album. Known for its dynamic beat and thought-provoking lyrics, the song serves as an anthem of defiance, empowerment, and rebellion. The feminist punk electronic band, Le Tigre, delves into societal concerns, urging listeners to question prevailing norms.
Annotations and Meaning:'Deceptacon' confronts issues like commercialism and the urge to conform, employing metaphors to voice displeasure with current pop culture and political landscape. Its catchy refrain captures a sense of feeling trapped by consumerism yet emphasizes the potential for individualism and the importance of fighting for personal beliefs.
The song cleverly merges 'deception' and 'con' in its title, alluding to the misleading nature of societal standards and systems that foster inequality. By highlighting these deceits, Le Tigre incites listeners to recognize these falsehoods and to fight for a fairer world. Its main theme encourages resistance to gender norms and oppressive structures, inspiring individuals, particularly women, to accept their true selves, defy societal expectations, and challenge the boundaries set upon them.
'Deceptacon' has become a rallying cry for a new era of feminists, queers, and other marginalized communities, blending the riot grrrl's punk spirit with homemade electronic beats. Its unique meld of punk sincerity, fun samples, and lo-fi electronics marked a pivotal moment in music, paving the way for the feminist punk genre and its future influences.
Kathleen Hanna, a founding member, portrayed the band's intent of creating political pop songs that could double as celebratory anthems post-protest, weaving happiness into their music as an act of resistance and a celebration amidst anger and frustrations.
Not only does 'Deceptacon' stand out for its empowering lyrics and distinctive sound, but it also continues to inspire artists across various musical genres, symbolizing music's lasting impact as a tool for societal change and personal empowerment.
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